![]() ![]() Leaving the ring behind in 2010, Cristy embarked on a new mission with the Code Red Lifestyle™. She made waves in New York City, training A-list celebrities and top professionals, and was recognized as "New York’s Best Trainer” by Allure Magazine. Cristy will share her extraordinary journey from food stamps to making $10 million in 3 years! From her early days competing in NPC Figure competitions to boxing her way across the globe and being named one of the "Top 3 Most Dangerous Females on the Planet," □Ĭristy's career has been a thrilling roller-coaster. Follow on Twitter.Get ready for a knockout episode! □□ A true champion and titan of the health & fitness industry, Cristy "CodeRed" Nickel, is set to be our guest on this week's episode of our podcast! Get ready to dive deep with the #2 world-ranked boxer turned celebrity nutritionist, and award-winning personal trainer. You can start with Riverside.fm for $7.50 a month, for two hours of recording time.Įmail and let me know what kinds of videos you’re creating. The platform allows you to download both video and audio files, so it’s a great solution for audio podcast producers too- and lets your guests make eye contact through video even if you don’t use the video files for your production. It doesn’t currently have an ability to integrate on-screen graphics like “lower thirds,” the graphic showing a person’s name and title, but I’m pretty sure that will come along soon. You can have up to eight guests on a Riverside recording, and several “producers” who are in the session but not recorded, and you can have an audience of up to 1,000 viewers, so Riverside could also be used for rudimentary livestreaming. By the time you finish your conversation, each participant’s recording has been uploaded, and the finished recordings look just like they were recorded, in full high-definition with decent sound not distorted by Zoom’s compression or Internet buffering issues. As the recording session continues, Riverside.fm uploads the local recording to its cloud storage in chunks. So that recording is not subject to any degradation because of a weak connection to the Internet. The key difference is that the recording takes place on each participant’s local computer. Riverside.fm activates their camera and microphone and you record your interview just like talking on a Zoom call. Using Riverside.fm, you provide your guest a “studio” link that they open in their browser. Later, the recording from the guest’s location is delivered to the studio and engineers synchronize the two sides of the conversation so it looks like it was all recorded together. In the offline world, this means if you are interviewing a guest at a distant location, you send a sound engineer (or a video crew) to that location, and back in the studio, you interview them over the phone while the crew records their responses. ![]() ![]() When I worked in radio news, we used to call it a “double-ender,” and today it’s often called a “tape sync.” These platforms embrace a model once used only by broadcasters with lots of resources. There are several others that are similar, like Streamyard ( /) and iris.fm. We’ve been working recently with a platform called Riverside. A new generation of recording and livestreaming platforms based in the cloud is on stream now, and the results they offer are surprisingly good. If they are connecting over a weak Wi-Fi signal, their video picture is degraded, and frequently disconnects during a broadcast. The video quality of the remote guests is completely dependent on the bandwidth of their Internet connection. ![]() In fact, now that I’m familiar with its look and feel, I’m pretty sure I’ve spotted vMix productions on several major networks and local TV outlets.īut as good as vMix is for live productions, it has a glaring limitation. It’s a little like the familiar and ubiquitous Zoom, but it has more TV production-style bells and whistles that make the live broadcast look like a TV show. It allows you to bring in up to eight remote guests on video connections. Up to now, I’ve relied on the remote connection capabilities in my livestream production platform from. During the COVID-19 pandemic, much of my time has been spent producing live remote broadcasts of events that were once held in person, and sometimes, we’ve had to produce prerecorded segments to be played during a livestream broadcast. ![]()
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